Showing posts with label Bernard Herrmann. Show all posts
Showing posts with label Bernard Herrmann. Show all posts

Thursday, August 30, 2012

“The Birds” on the big screen September 19

Alfred Hitchcock’s 1963 classic, The Birds will hit the big screen for a one-night showing September 19, 2012, in theaters all across the country. Like the special screenings of Casablanca and Singing in the Rain, this one is sponsored by Turner Classic Movies. The screening will include an interview with star Tippi Hedren and special introduction featuring TCM host Robert Osborne. To find a screening near you, click here.

Tippi Hedren finds safety in a phone booth in one of the film’s
most famous scenes.
If there is a classic film that benefits from a big-screen showing, it’s The Birds. Based on a short story by Daphne Du Maurier with a screenplay by Evan Hunter, the movie is filled with iconic scenes and amazing—for the time—special effects.

The top-billed star is Rod Taylor who plays Mitch Brenner, a San Francisco lawyer who falls for socialite Melanie Daniels played by Hedren. Hedren, a model and single mother, was plucked from obscurity by Hitchcock to be his new leading lady. Groomed to be the next cool blond—Madeleine Carroll, Ingrid Bergman, Grace Kelly, and Eva Marie Saint preceded her—Hedren became an overnight sensation. She won the Golden Globe award for most promising newcomer, female, the year after the movie’s release. Also in the cast are Academy Award winner Jessica Tandy, then child star Veronica Cartwright, and Suzanne Pleshette. In smaller roles are character actor Richard Deacon (The Dick Van Dyke Show) and as one of the children at Cathy Brenner’s (Cartwright) birthday party is an unbilled Morgan Brittany who later went on to star in TV’s Dallas.


The Birds may not be one of Hitchcock’s greatest films, but it certainly is one of his most entertaining. A huge hit upon its initial release, the film offers up exquisite camera work by frequent Hitchcock cinematographer Robert Burks. The special effects were created by Ub Iwerks, the genius behind the special effects at the Disney studio. One of the unusual aspects of the film is that is has no musical score. Instead, the sound of birds is heard throughout. Bernard Herrmann (Psycho), composer of many Hitchcock film scores acted as the films uncredited sound director.

Thursday, May 19, 2011

MAN, WOMAN & THE BEAST WITHIN at Columbia College Chicago

Columbia College Chicago and Fulcrum Point New Music Project presented ECLIPSE Master Class: MAN, WOMAN & THE BEAST WITHIN last night at Columbia College Media Production Center, 1600 S. State St., Chicago.

Album art from Bernard Herrmann's score for Alfred Hitchcock's Vertigo

Classic Scores
Scenes from several popular films, including the Alfred Hitchcock classic, Vertigo (1958), were screened while musicians from Fulcrum Point New Music Project performed selections from the movies’ soundtracks in the Media Center's main soundstage. Stephen Burns, Founder and Artistic Director conducted the Fulcrum Point New Music Project.

There Will Be Music
Movie clips and film score selections included pieces from There Will Be Blood (2007), directed by Paul Thomas Anderson with music by Jonny Greenwood; Shutter Island (2010) directed by Martin Scorsese with music Krzysztof Penderecki (featuring Symphony No. 3). The pieces played from the Vertigo score by Bernard Herrmann were a real highpoint. The orchestra was spot-on matching the music with the clips shown and the string section, so important in a Herrman score, were magnificent. The sound of the relatively small orchestra was magnified using Fujitsu Ten’s Elipse TD speaker. Fujitsu Ten has collaborated on three Master Classes with Columbia College Chicago.

Works by Students
In addition to the film scores mentioned above, scores composed by Columbia College students were performed while their respective films, also produced by Columbia College students, were screened. Maryln’s Dress (2010) a dark-themed short, directed by Tanya Savard was accompanied with music by Yiğit K. Güc. The Beast (2010), directed by Norman Franklin with music by Luke Wieting was a somewhat comic short about a young girl and how her life changes when her parents give her a new puppy.


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