The Chicago Film Club’s Halloween series begins with a screening of the classic The Ghost and Mrs. Muir (1947) Saturday October 8, 2016 at the Daystar Center, 1550 S. State St. All movies start at 6:45 p.m. A haunted cottage by the sea
When a young widow Lucy Muir (Gene Tierney) rents a house by the sea, she finds that it’s haunted by the ghost of Captain Gregg (Rex Harrison), the home's original owner. The two clash at first, but come to an understanding that turns into friendship and eventually love. When a flesh-and-blood suitor (George Sanders) makes a play for Lucy, what will become of the captain? This beautifully filmed movie (Charles Lang’s black and white cinematography was Oscar nominated) gave Tierney the chance to play a woman of warmth and character, rather than the icy, aloof beauty she was too often cast as.
Gene Tierney as Lucy Muir and Rex Harrison as Captain Gregg in The Ghost and Mrs. Muir
Top-flight talent
Besides the cast, the film has quite the pedigree. The film score was composed by the legendary Bernard Herrmann (Vertigo, Psycho, Taxi Driver). Charles Lang (Sabrina, Some Like it Hot) was in charge of the black and white cinematography. Lang was nominated for 18 Academy Awards. Film editor Dorothy Spencer (Stagecoach, Foreign Correspondent) worked with some of the best directors in Hollywood, including Alfred Hitchcock, John Ford, and Elia Kazan edited the film. Fred Sersen who was in charge of the photographic effects department at Twentieth Century-Fox created the film’s special effects. Sersen won two Academy Awards for Best Effects (Crash Dive, The Rains Came). Gene Tierney’s husband, Oleg Cassini, designed the actress’s costumes. Cassini dressed Jacqueline Kennedy when she was First Lady. And last, but not least, the director Joseph L. Mankiewicz. Makiewicz is most famous for writing and directing All About Eve (1950), but he also directed A Letter to Three Wives (1949), The Barefoot Contessa (1954), Guys and Dolls (1955), Cleopatra (1963), and Sleuth (1972).
Other movies scheduled below:
October 15—The Innocents (1961) starring Deborah Kerr
October 22—The Body Snatcher (1945) starring Boris Karloff - CANCELED
October 29—Psycho (1960) starring Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh
Have some Joe and Enjoy the Show!
Before the movie, grab a cup of coffee from Overflow Coffee Bar, located within the Daystar Center. You can bring food and beverages into the auditorium; we even have small tables set up next to some of the seats. General Admission: $5 Students and Senior Citizens: $3.
Join the Chicago Film club; join the discussion
Twice a month we screen classic films and have a brief discussion afterward. For more information, including how to join (it’s free), click here. The Venue 1550 is easily accessible by the CTA. Please visit Transit Chicago for more information on transportation options.
Stephen Reginald is a freelance writer and editor. He has worked at various positions within the publishing industry for over 25 years. Most recently he was executive editor for McGraw-Hill’s The Learning Group Division. A long-time amateur student of film, Reginald hosts “Chicago Film Club,” a monthly movie event held in the South Loop, for the past two years. Reginald has also taught several adult education film classes at Facets Film School, Chicago.
Daystar Center located at 1550 S. State St. works through a grassroots network of collaborations and partnerships with individuals and other nonprofit organizations. Through this web, they’re able to provide educational, cultural, and civic activities that enrich and empower their clients, guests, and community members. To learn more about classes and events offered at the Daystar Center, please visit their Web site.
There Never Was a Woman Like Laura
We had a great crowd last night for the screening of Laura starring Gene Tierney and Dana Andrews. By an interesting coincidence, Friday November 19 marked Tierney's birthday. She would have been 90 years old.
Some of the "Meet Me at the Movies" crowd
To Weather Mark Tavern We Go!
After the movie, about 15 of us went to Weather Mark Tavern 1503 S. Michigan Ave. to eat, drink, and discuss the movie. Those who had never seen Laura before were stumped as to who the murderer was. The 1944 classic was voted the fourth best film in the mystery genre in 2008 by the American Film Institute and the music by David Raksin was ranked number seven by the AFI's 100 Years of Film Scores in 2005.
These ladies are regular "Meet Me at the Movies" attendees
The Prairie District Neighborhood Alliance (PDNA) invites you to "Meet Me at the Movies," Friday November 19, 2010 at 6:30 p.m. at Sherwood Community Music School, Columbia College recital hall, 1312 S. Michigan Ave.
When production on Laura started, no one believed that the end product would we worth seeing. From the beginning the project was problematic. Arguments between studio boss Darryl Zanuck and the original director, Rouben Mamoulian ended in Mamoulian being fired. Zanuck then assigned Otto Preminger, already the film’s producer, to be its director too. The only problem: Preminger had never directed a motion picture before.
Under Preminger’s supervision, what began as a fairly ordinary murder mystery, turned out to be a critical and box office success. Gene Tierney in the title role became a superstar and was forever identified with the beautiful, enigmatic Laura Hunt. Dana Andrews, as Detective Mark McPherson, established himself as a major star and popular leading man. Clifton Webb, who hadn’t made a movie since the early days of talking pictures, earned an Academy Award nomination as Best Supporting Actor for his role as Waldo Lydecker. Thomas M. Pryor, in his October 12, 1944 New York Times review called Laura “a top-drawer mystery.”
With some of the sharpest and wittiest dialogue ever recorded on film, Laura set the standard for 1940s film noir. Andrews’s portrayal of McPherson became a prototype for what would become known as the hard-boiled detective, influencing a generation of movie actors. Pryor from the Times put it this way: “Mr. Andrews is fast proving himself to be a solidly persuasive performer, a sort of younger-edition Spencer Tracy.”
The musical score by David Raksin is one of the most hauntingly beautiful movie themes ever recorded.